Question 4:Find n so that the nth terms of the following two A.P’s are the same1, 7,13,19,. ALGEBRACOMPETITIVE EXAMSAPTITUDE TESTS ONLINEACT MATH ONLINE TESTTRANSFORMATIONS OF FUNCTIONSORDER OF OPERATIONSWORKSHEETSCustomary units worksheetIntegers and absolute value worksheetsNature of the roots of a quadratic equation worksheetsTRIGONOMETRYMENSURATIONGEOMETRYANALYTICAL GEOMETRYPoint of intersectionCALCULATORSMATH FOR KIDSLIFE MATHEMATICS SYMMETRYCONVERSIONSWORD PROBLEMSWord problems on linear equationsTrigonometry word problemsWord problems on mixed fractrionsOTHER TOPICSConverting repeating decimals in to fractions.

Patterns of the, Chamaeleo calyptratus, provide and signal as well as.Patterns in nature are visible regularities of form found in the natural world. These recur in different contexts and can sometimes be. Natural patterns include, and stripes.

Early studied pattern, with, and attempting to explain order in nature. The modern understanding of visible patterns developed gradually over time.In the 19th century, Belgian physicist examined, leading him to formulate the concept of a. German biologist and artist painted hundreds of to emphasise their.

Scottish biologist pioneered the study of growth patterns in both plants and animals, showing that simple equations could explain spiral growth. In the 20th century, British mathematician predicted mechanisms of which give rise to of spots and stripes. Hungarian biologist and French American mathematician showed how the mathematics of could create plant growth patterns., and can explain patterns in nature at different levels. Patterns in living things are explained by the processes of. Studies of make use of to simulate a wide range of patterns.

Patterns occur widely in plant structures, including this cone of queen sago,Early Greek philosophers attempted to explain order in, anticipating modern concepts. (c. 570–c. 495 BC) explained patterns in nature like the harmonies of music as arising from number, which he took to be the basic constituent of existence. (c. 494–c. 434 BC) to an extent anticipated 's evolutionary explanation for the structures of organisms. (c. 427–c. 347 BC) argued for the existence of natural. He considered these to consist of ( εἶδος eidos: 'form') of which physical objects are never more than imperfect copies. Thus, a flower may be roughly circular, but it is never a perfect circle.(c. 372–c. 287 BC) noted that plants 'that have flat leaves have them in a regular series'; (23–79 AD) noted their patterned circular arrangement. Centuries later, (1452–1519) noted the spiral arrangement of leaf patterns, that tree trunks gain successive rings as they age, and proposed purportedly satisfied by the cross-sectional areas of tree-branches.

(1571–1630) pointed out the presence of the in nature, using it to explain the form of some flowers. In 1754, observed that the spiral of plants were frequently expressed in both and counter-clockwise series. Mathematical observations of phyllotaxis followed with and his friend 's 1830 and 1830 work, respectively; and his brother Louis connected phyllotaxis ratios to the Fibonacci sequence in 1837, also noting its appearance in. In his 1854 book, German psychologist explored the golden ratio expressed in the arrangement of plant parts, the of animals and the branching patterns of their veins and nerves, as well as in. Studied the patterns of phyllotaxis in his 1904 book. In 1917, published; his description of phyllotaxis and the Fibonacci sequence, the mathematical relationships in the spiral growth patterns of plants showed that simple equations could describe the spiral growth patterns of and.In 1202, introduced the Fibonacci sequence to the western world with his book. Fibonacci presented a on the growth of an idealized population.In 1658, the English physician and philosopher discussed 'how Nature Geometrizeth' in, citing involving the number 5, and the of the pattern.

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The discourse's central chapter features examples and observations of the quincunx in botany.The Belgian physicist (1801–1883) formulated the of the existence of a with a given boundary, which is now named after him. He studied soap films intensively, formulating which describe the structures formed by films in foams.(1834–1919) painted beautiful illustrations of marine organisms, in particular, emphasising their to support his faux- theories of evolution.The American photographer took the first micrograph of a in 1885.

Pioneered the study of growth and form in his 1917 bookIn 1952, (1912–1954), better known for his work on computing and, wrote, an analysis of the mechanisms that would be needed to create patterns in living organisms, in the process called. He predicted, in particular the. These activator-inhibitor mechanisms can, Turing suggested, generate patterns (dubbed ') of stripes and spots in animals, and contribute to the spiral patterns seen in plant phyllotaxis.In 1968, the Hungarian theoretical biologist (1925–1989) developed the, a which can be used to model in the style of.

L-systems have an of symbols that can be combined using to build larger strings of symbols, and a mechanism for translating the generated strings into geometric structures. In 1975, after centuries of slow development of the mathematics of patterns by, and others, wrote a famous paper, crystallising mathematical thought into the concept of the. Composite patterns: and newly born young in arraylike clusters on leaf, divided into by, which are avoided by the young aphidsLiving things like, and the have abstract designs with a beauty of form, pattern and colour that artists struggle to match. The beauty that people perceive in nature has causes at different levels, notably in the mathematics that governs what patterns can physically form, and among living things in the effects of natural selection, that govern how patterns evolve.seeks to discover and explain abstract patterns or regularities of all kinds.Visual patterns in nature find explanations in, fractals, logarithmic spirals, topology and other mathematical patterns.

For example, form convincing models of different patterns of tree growth.The laws of apply the abstractions of mathematics to the real world, often as if it were. For example, a is perfect when it has no structural defects such as dislocations and is fully symmetric.

Exact mathematical perfection can only approximate real objects. Visible patterns in nature are governed by; for example, can be explained using.In, can cause the development of patterns in living things for several reasons, including, and different kinds of signalling, including. In plants, the shapes, colours, and patterns of like the have evolved to attract insects such as. Radial patterns of colours and stripes, some visible only in ultraviolet light serve as that can be seen at a distance.

Types of pattern Symmetry. Further information:, andis pervasive in living things. Animals mainly have bilateral or, as do the leaves of plants and some flowers such as. Plants often have radial or, as do many flowers and some groups of animals such as. Fivefold symmetry is found in the, the group that includes, and.Among non-living things, have striking; each flake's structure forms a record of the varying conditions during its crystallization, with nearly the same pattern of growth on each of its six arms. In general have a variety of symmetries and; they can be cubic or octahedral, but true crystals cannot have fivefold symmetry (unlike ).

Rotational symmetry is found at different scales among non-living things, including the crown-shaped pattern formed when a drop falls into a pond, and both the shape and rings of a like.Symmetry has a variety of causes. Radial symmetry suits organisms like sea anemones whose adults do not move: food and threats may arrive from any direction. But animals that move in one direction necessarily have upper and lower sides, head and tail ends, and therefore a left and a right. The head becomes specialised with a mouth and sense organs , and the body becomes bilaterally symmetric (though internal organs need not be). More puzzling is the reason for the fivefold (pentaradiate) symmetry of the echinoderms.

Early echinoderms were bilaterally symmetrical, as their larvae still are. Sumrall and Wray argue that the loss of the old symmetry had both developmental and ecological causes.

Have.Trees, fractals The branching pattern of trees was described in the. He stated that:All the branches of a tree at every stage of its height when put together are equal in thickness to the trunk below them.A more general version states that when a parent branch splits into two or more child branches, the surface areas of the child branches add up to that of the parent branch. An equivalent formulation is that if a parent branch splits into two child branches, then the cross-sectional diameters of the parent and the two child branches form a. One explanation is that this allows trees to better withstand high winds. Simulations of biomechanical models agree with the rule.are infinitely, iterated mathematical constructs having.

Infinite is not possible in nature so all 'fractal' patterns are only approximate. For example, the leaves of and (Apiaceae) are only self-similar (pinnate) to 2, 3 or 4 levels.

Fern-like growth patterns occur in plants and in animals including, like the, Sertularia argentea, and in non-living things, notably. Fractals can model different patterns of tree growth by varying a small number of parameters including branching angle, distance between nodes or branch points ( length), and number of branches per branch point.Fractal-like patterns occur widely in nature, in phenomena as diverse as clouds, geologic, branching, and. Further information:are common in plants and in some animals, notably.

For example, in the, a cephalopod mollusc, each of its shell is an approximate copy of the next one, scaled by a constant factor and arranged in a. Given a modern understanding of fractals, a growth spiral can be seen as a special case of self-similarity.Plant spirals can be seen in, the arrangement of leaves on a stem, and in the arrangement ( ) of other parts as in and like the or structures like the: 337 and, as well as in the pattern of scales in, where multiple spirals run both clockwise and anticlockwise. These arrangements have explanations at different levels – mathematics, physics, chemistry, biology – each individually correct, but all necessary together. Phyllotaxis spirals can be generated mathematically from: the Fibonacci sequence runs 1, 1, 2, 3, 5, 8, 13.

(each subsequent number being the sum of the two preceding ones). For example, when leaves alternate up a stem, one rotation of the spiral touches two leaves, so the pattern or ratio is 1/2. In the ratio is 1/3; in it is 2/5; in it is 3/8; in it is 5/13. In disc phyllotaxis as in the and, the florets are arranged in with Fibonacci numbering, at least when the flowerhead is mature so all the elements are the same size. Fibonacci ratios approximate the, 137.508°, which governs the curvature of Fermat's spiral.From the point of view of physics, spirals are lowest-energy configurations which emerge spontaneously through processes in. From the point of view of chemistry, a spiral can be generated by a reaction-diffusion process, involving both activation and inhibition. Phyllotaxis is controlled by that manipulate the concentration of the plant hormone, which activates growth, alongside other mechanisms to control the relative angle of buds around the stem.

From a biological perspective, arranging leaves as far apart as possible in any given space is favoured by natural selection as it maximises access to resources, especially sunlight for. Water droplets fly off a wet, spinning ball inChaos, flow, meanders In mathematics, a is chaotic if it is (highly) sensitive to initial conditions (the so-called ' ), which requires the mathematical properties of and.Alongside fractals, ranks as an essentially universal influence on patterns in nature.

There is a relationship between chaos and fractals—the in chaotic systems have a. Some, simple sets of mathematical rules that generate patterns, have chaotic behaviour, notably 's.are zigzagging patterns of whirling created by the unsteady of a, most often air or water, over obstructing objects. Smooth flow starts to break up when the size of the obstruction or the velocity of the flow become large enough compared to the of the fluid.are sinuous bends in rivers or other channels, which form as a fluid, most often water, flows around bends.

As soon as the path is slightly curved, the size and curvature of each loop increases as drags material like sand and gravel across the river to the inside of the bend. The outside of the loop is left clean and unprotected, so accelerates, further increasing the meandering in a powerful. Meanders: symmetrical, Diploria strigosaWaves, dunes are disturbances that carry energy as they move. Propagate through a medium – air or water, making it as they pass. Are sea that create the characteristic chaotic pattern of any large body of water, though their statistical behaviour can be predicted with wind wave models.

As waves in water or wind pass over sand, they create patterns of ripples. When winds blow over large bodies of sand, they create, sometimes in extensive dune fields as in the desert. Dunes may form a range of patterns including crescents, very long straight lines, stars, domes, parabolas, and longitudinal or seif ('sword') shapes.or crescent dunes are produced by wind acting on desert sand; the two horns of the crescent and the point downwind. Sand blows over the upwind face, which stands at about 15 degrees from the horizontal, and falls onto the slip face, where it accumulates up to the of the sand, which is about 35 degrees. When the slip face exceeds the angle of repose, the sand, which is a behaviour: the addition of many small amounts of sand causes nothing much to happen, but then the addition of a further small amount suddenly causes a large amount to avalanche. Apart from this nonlinearity, barchans behave rather like.

Wind with in, AfghanistanBubbles, foam A forms a, a — the smallest possible surface area for the volume enclosed. Two bubbles together form a more complex shape: the outer surfaces of both bubbles are spherical; these surfaces are joined by a third spherical surface as the smaller bubble bulges slightly into the larger one.A is a mass of bubbles; foams of different materials occur in nature. Foams composed of obey, which require three soap films to meet at each edge at 120° and four soap edges to meet at each vertex at the angle of about 109.5°. Plateau's laws further require films to be smooth and continuous, and to have a constant at every point. For example, a film may remain nearly flat on average by being curved up in one direction (say, left to right) while being curved downwards in another direction (say, front to back).

Structures with minimal surfaces can be used as tents. Identified the problem of the most efficient way to pack cells of equal volume as a foam in 1887; his solution uses just one solid, the with very slightly curved faces to meet Plateau's laws. No better solution was found until 1993 when Denis Weaire and Robert Phelan proposed the; the adapted the structure for their outer wall in the.At the scale of living, foam patterns are common;, and the calcite skeleton of a, all resemble mineral casts of Plateau foam boundaries. The skeleton of the, Aulonia hexagona, a beautiful marine form drawn by, looks as if it is a sphere composed wholly of hexagons, but this is mathematically impossible. The states that for any, the number of faces plus the number of vertices (corners) equals the number of edges plus two. A result of this formula is that any closed polyhedron of hexagons has to include exactly 12 pentagons, like a, or molecule.

This can be visualised by noting that a mesh of hexagons is flat like a sheet of chicken wire, but each pentagon that is added forces the mesh to bend (there are fewer corners, so the mesh is pulled in). Main article:are patterns formed by repeating all over a flat surface. There are 17 of tilings. While common in art and design, exactly repeating tilings are less easy to find in living things. The cells in the paper nests of social, and the wax cells in built by honey bees are well-known examples. Among animals, bony fish, reptiles or the, or fruits like the are protected by overlapping scales or, these form more-or-less exactly repeating units, though often the scales in fact vary continuously in size.

Among flowers, the snake's head fritillary, have a tessellated chequerboard pattern on their petals. The structures of provide good examples of regularly repeating three-dimensional arrays. Despite the hundreds of thousands of known minerals, there are rather few possible types of arrangement of atoms in a, defined by, and; for example, there are exactly 14 for the 7 lattice systems in three-dimensional space.

: a rare rock formation on theCracks are linear openings that form in materials to relieve. When an material stretches or shrinks uniformly, it eventually reaches its breaking strength and then fails suddenly in all directions, creating cracks with 120 degree joints, so three cracks meet at a node.

Conversely, when an inelastic material fails, straight cracks form to relieve the stress. Further stress in the same direction would then simply open the existing cracks; stress at right angles can create new cracks, at 90 degrees to the old ones. Thus the pattern of cracks indicates whether the material is elastic or not. In a tough fibrous material like oak tree bark, cracks form to relieve stress as usual, but they do not grow long as their growth is interrupted by bundles of strong elastic fibres. Since each species of tree has its own structure at the levels of cell and of molecules, each has its own pattern of splitting in its bark.

Palm trunk with branching vertical cracks (and horizontal leaf scars)Spots, stripes Leopards and ladybirds are spotted; angelfish and zebras are striped. These patterns have an explanation: they have which increase the chances that the offspring of the patterned animal will survive to reproduce. One function of animal patterns is; for instance, a that is harder to see catches more prey. Another function is — for instance, a is less likely to be attacked by birds that hunt by sight, if it has bold warning colours, and is also, or other distasteful insects. A young bird may see a warning patterned insect like a ladybird and try to eat it, but it will only do this once; very soon it will spit out the bitter insect; the other ladybirds in the area will remain undisturbed.

The young leopards and ladybirds, inheriting that somehow create spottedness, survive. But while these evolutionary and functional arguments explain why these animals need their patterns, they do not explain how the patterns are formed. Main article:Alan Turing, and later the mathematical biologist, described a mechanism that spontaneously creates spotted or striped patterns: a. The cells of a young organism have genes that can be switched on by a chemical signal, a, resulting in the growth of a certain type of structure, say a darkly pigmented patch of skin. If the morphogen is present everywhere, the result is an even pigmentation, as in a black leopard.

But if it is unevenly distributed, spots or stripes can result. Turing suggested that there could be control of the production of the morphogen itself. This could cause continuous fluctuations in the amount of morphogen as it diffused around the body. A second mechanism is needed to create patterns (to result in spots or stripes): an inhibitor chemical that switches off production of the morphogen, and that itself diffuses through the body more quickly than the morphogen, resulting in an activator-inhibitor scheme.

The is a non-biological example of this kind of scheme, a.Later research has managed to create convincing models of patterns as diverse as zebra stripes, giraffe blotches, jaguar spots (medium-dark patches surrounded by dark broken rings) and ladybird shell patterns (different geometrical layouts of spots and stripes, see illustrations). 's activation-inhibition models, developed from Turing's work, use six variables to account for the observed range of nine basic within-feather pigmentation patterns, from the simplest, a central pigment patch, via concentric patches, bars, chevrons, eye spot, pair of central spots, rows of paired spots and an array of dots.: 6 More elaborate models simulate complex feather patterns in the guineafowl in which the individual feathers feature transitions from bars at the base to an array of dots at the far (distal) end. These require an oscillation created by two inhibiting signals, with interactions in both space and time.: 7–8Patterns can form for other reasons in the of. Tiger bush stripes occur on arid slopes where plant growth is limited by rainfall. Each roughly horizontal stripe of vegetation effectively collects the rainwater from the bare zone immediately above it.

Fir waves occur in forests on mountain slopes after wind disturbance, during regeneration. When trees fall, the trees that they had sheltered become exposed and are in turn more likely to be damaged, so gaps tend to expand downwind. Meanwhile, on the windward side, young trees grow, protected by the wind shadow of the remaining tall trees. Natural patterns are sometimes formed by animals, as in the of the Northwestern United States and some other areas, which appear to be created over many years by the burrowing activities of, while the so-called of Namibia appear to be created by the interaction of competing groups of sand termites, along with competition for water among the desert plants.In permafrost soils with an active upper layer subject to annual freeze and thaw, can form, creating circles, nets, polygons, steps, and stripes. Causes shrinkage cracks to form; in a thaw, water fills the cracks, expanding to form ice when next frozen, and widening the cracks into wedges. These cracks may join up to form polygons and other shapes.The that develops on vertebrate brains are caused by a physical process of constrained expansion dependent on two geometric parameters: relative tangential cortical expansion and relative thickness of the. Similar patterns of (peaks) and (troughs) have been demonstrated in models of the brain starting from smooth, layered gels, with the patterns caused by compressive mechanical forces resulting from the expansion of the outer layer (representing the cortex) after the addition of a solvent.

Numerical models in computer simulations support natural and experimental observations that the surface folding patterns increase in larger brains. The so-called, who were the first to take up mathematics, not only advanced this subject, but saturated with it, they fancied that the principles of mathematics were the principles of all things., Metaphysics 1–5, c. 350 BC. Aristotle reports Empedocles arguing that, 'wherever, then, everything turned out as it would have if it were happening for a purpose, there the creatures survived, being accidentally compounded in a suitable way; but where this did not happen, the creatures perished.' The Physics, B8, 198b29 in Kirk, et al., 304).Citations., 1202. ———— translated by Sigler, Laurence E. Fibonacci's Liber Abaci.

Springer, 2002. (Art Forms in Nature), 1899–1904. Cambridge, 1917.General books. Adam, John A., 2006. (2009). Nature's Patterns: a tapestry in three parts. Oxford University Press.

Ball, Philip (2009). Nature's Patterns: a tapestry in three parts. Oxford University Press.

Ball, Philip (2009). Nature's Patterns: a tapestry in three parts.

Mathematical Designs And Patterns Using Arithmetic Progression Pdf Free

Oxford University Press. Ball, Philip. Patterns in Nature. Chicago, 2016. and Neill, William. By Nature's Design., 1993. (2011).

Progression

Survival of the Beautiful: Art, Science and Evolution. Stevens, Peter S. Patterns in Nature. (2001). What Shape is a Snowflake?

Geometric Progression

Magical Numbers in Nature.Patterns from nature (as art). Edmaier, Bernard. Patterns of the Earth., 2007. Macnab, Maggie. Design by Nature: Using Universal Forms and Principles in Design.

New Riders, 2012. Nakamura, Shigeki. Pattern Sourcebook: 250 Patterns Inspired by Nature. Books 1 and 2. Rockport, 2009. O'Neill, Polly. Surfaces and Textures: A Visual Sourcebook.

Black, 2008.,. Nature's Chaos., 1990.External links.

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